This season, J.L-A.L thinks in chairs. Not as objects to sit on, but as ideas, systems of support, containment, and quiet presence. The collection translates this logic into clothing where structure speaks softly. Silhouettes turn inward, volume redistributes with purpose, and seams follow an exacting surface logic. Nothing is expressed loudly and everything is measured, held, composed.

Tailoring becomes a study in compression. Seams map the body like the lines of a Windsor chair, while eyelets trace asymmetric fronts with the precision of industrial molding. Dart lines double as ventilation, recalling Riccardo Dalisi’s playful engineering. Pockets align like wood veneer, and laser-cut perforations drift across fabric like scattered light. The effect is both technical and organic, garments that frame the body without confining it.

Fabrics build their own architecture. Italian and Japanese cottons, linens, and wools hold their shape without stiffness. Linen-cotton blends breathe; dual-finish leathers age with use. A PUMA collaboration extends this philosophy to footwear, with two-tone leather designed to patina like the worn arms of an old chair.

Check it out below: