The rebellious kids of Enfants Riches Déprimés have been in charge of putting the finishing touch to the Paris Fashion Week (PFW), with the permission of Xuly Bët, presenting with pride and defiant attitude the brand’s proposal for the next Fall/Winter. It was presented in a presentation format and was accompanied by a film entitled “My Private Underground“, which features original music and a performance by DIIV.
This collection focuses on statement outerwear, chunky knit textures and layering with influences ranging from late 80’s hardcore and literary collision with mixed media in the reinterpretation of the season’s graphic story.
Highlights include a bottle green three-quarter length coat and a navy blue leather jacket with a zip and large pockets.
Take a look at Études Studio’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
Titled “Nothing could have prepared us / Everything could have prepared us”, this retrospective exhibition explores over thirty-five years of artistic practice across various photographic genres.
Hiroaki Sueyasu’s latest collection for KIDILL isn’t just about clothes but also about the people who once lived on the fringes, spinning their own worlds out of obsession and imagination.
Montblanc and Wes Anderson return with “Let’s Write,” the second chapter of their collaboration, and an ode to writing, imagination, and the journeys words inspire.
For their SS26 collection, presented at Paris’ Palais de Tokyo, creative directors Aurélien Arbet and Jérémie Egry continue their quiet conversation between art and utility.
Last week, CANEX Presents Africa x Tranoï opened their exclusive pop-up honoring the diversity and depth of African fashion at the Galeries Lafayette in Paris, running until July 8th.
Summer dressing should be easy, sharp when it needs to be, relaxed when it wants to be. MR PORTER’s High Summer Part 2 campaign gets that balance right.
We sat down with Pasqualetti the day after his show to discuss his creative process, how he approaches gender rules, and why being a young independent brand in Italy is no easy feat.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
