Colm Dillane and Kenny Shimm directed this video to showcase the Spring/Summer 2022 collection of KidSuper.
“As the world starts opening up it became apparent that this might be the last virtual Paris Fashion show for a long time. I loved the virtual fashion show setting because it was less about budget and more about ideas, feelings and emotions. When it comes to Fashion Week in Paris if you rent a palace of a building, hire the top models and get all the people to come then it is a success, with virtual money did not buy success and it was a perfect place for the underdog to come out on top. From the stop motion fashion show to our short film we were constantly reinventing what people deemed a fashion show… in my mind the possibilities are endless. You can do anything and film it, wear the clothes, and it can fit the criteria of a virtual fashion show. For this concept, I was brainstorming and asking all my friends what is the one thing you one do if you could do anything? Fashion show budgets are pretty high so the limits are somewhat endless. I kept asking different people and getting different and interesting answers. I realized this was the interesting part of the whole concept. Why not ask people what they want to do before they die and go help them do it. We set up a booth in Washington Square Park and started asking away, 300 people later and we were overwhelmed, excited and had a lot to prepare. It was a crazy undertaking but a beautiful one at that, every person we randomly met on the street ended up being incredible in their own right. What a beautiful video and concept. Thank you all and can’t wait for the next idea.“
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
