Maison the Faux is taking you to the future. In the past, the nomadic Dutch label has taken us to the glittering underbelly of the cosmetics industry (see Faux Cosmetics), the obsessive world of celebrity (see “ANNAANNA-ANNAANNA”), and most recently to China, for a re-interpretation on their “Chubby Chaser” collection for Guangzhou Fashion Week.
This Is Not An Office is a teaser for Maison the Faux’s forthcoming July 16th show at Amsterdam Fashion Week, yet another retro chic advert/video diary of the brands latest adventures in mischievous anarchy. Filmed during house cinematographer, Robert Fox’s travels with designers Joris Suk and Tessa de Boer in Guangzhou, China, Fox left me with this, “What’s real and what’s FAUX is no longer the question.”
Troye Sivan celebrates 10th Anniversary of his planitun debut album with BLUE NEIGHBOURHOOD – Ten years on, set for release on February 13, 2026. Limited Edition features two additional tracks – “Swimming Pools” and “Strawberries & Cigarettes” – plus a reimagined cover art.
Titled “Generation Gucci”, the lookbook acts both as a nod to the archive and a projection of aesthetic continuity, layering historical codes to build a distinct vision for the house.
Salomon is marking the 20th anniversary of its ACS PRO trail sneaker with a special edition. The release honors the shoe’s past while focusing on its continued relevance.
UNWRAPPED 2025 marks Grindr’s fifth annual global snapshot of queer culture, powered by insights from more than 15 million monthly users and 32,000 community votes.
Patta and Joe Freshgoods have reunited for a new collaboration titled “PattaGoods.” This is their first capsule collection, uniting two independent, Black-owned brands.
The Amsterdam-based brand Daily Paper has partnered with the Municipality of Amsterdam and adidas to celebrate the reopening of a local landmark: the street football court known as the “Adidasplein”.
The work of Slovak artist Andrej Dúbravský presents a world of bees, caterpillars, flowers, and naked boys who return the viewer’s gaze with confidence.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
