References to rave parties, to Gabber and Candy-Boys like so many glimpses of teenage years.
A jacket fitted close to the body, hand-stitching worked inside-out, leather gloves in homage to Monsieur Dior.
“Among the multiple and sometimes paradoxical inspirations in my latest collection, the gabber scene is one of the subcultures that I wanted to highlight. It’s a hardcore culture that is built around techno music and dancing at rave parties. It is a highly physical dance, involving very rapid responses to saturated bass rhythms. The lower half of the body is moving, sometimes quite frenetically, while the top half remains more controlled, echoing those looks in the collection in which loose pants are worn with more fitted jackets.” – Kris van Assche
LACOSTE is back with a fresh global campaign for 2025, and this time it’s all about playing with legends, both the brand’s classic pieces and the influential people who wear them.
Levi’s® new Linen+Denim collection for SS25 solves the warm-weather denim dilemma by blending two classic fabrics into one breathable, lightweight solution.
Earlier this year, four-time Formula 1 champion Sebastian Vettel joined Swiss clothing brand Neumühle for a special lesson at a Swiss school. The topic? Circularity.
Japanese footwear brand grounds is teaming up with Los Angeles boutique H. Lorenzo to re-release the SPIKE SNEAKERS, originally created in collaboration with Belgian designer Walter Van Beirendonck.
PUMA and ROMBAUT are back with the second installment of their “Levitation” collaboration, a shoe that doesn’t just sit on the ground but seems to float above it.
The Italian brand has unveiled its “Gucci Lido” campaign, starring Daisy Edgar-Jones, Aliocha Schneider, and David Jonsson, shot by photographer Jim Goldberg.
+380 pages to change the channel: from Big Brother, to Buffy, a dating program, music from 90s, weathermen, a late show, Uggly Betty, Sex & the city, tattoos… and more!
Our must-see TV lineup includes pop-culture phenomenons from Gossip Girl star Evan Mock gracing the cover shot by TianZheng Yun, in a shooting inspired by the “Ugly Betty” series.
