Following the solid gold pop smash that was their debut 7″ Circles, South Coast soul boys :Kinema: return with their biggest and best song to date, My Beautiful Machines, a joyously upbeat love song to their synthesizers.
A live favourite, the band have been closing their sets with Machines for much of the past 6 months, prompting euphoric stage invasions at venues such as Proud in Camden and Brick Lane’s 93 Feet East.
Showing off the classic pop nous that has already seen the band likened to Phoenix, Hot Chip, Culture Club and even Wham!, My Beautiful Machines comes backed by Heartstrings, another fan favourite that this time celebrates that first heady, brain derailing, feeling of falling in love. Having spent the past six months building up a devoted, high kicking, table dancing following, including a devoted Japanese fan base, My Beautiful Machines sees the band ready to fulfil their potential as one of the UK’s best new bands.
If the original of :Kinema:‘s My Beautiful Machines is straight up classic pop then the remixes courtesy of Sweden’s Drop Out Orchestra, take the track off into disco heaven. Having been blown away by their re-edits of Robyn and Diana Ross, and their dancefloor dominating ‘International Track’ we approached them more in hope and were overjoyed when they agreed to add their live disco stylings to the release.
Still, even so we weren’t prepared for the results when after several sleepless nights in the studio, they delivered a 12 minute live disco version that is unlikely to be bettered this year.
Teasing out Dominic’s vocals, the track builds and builds, going through several major changes, from orchestral swirls and ridiculously funky bass, through to driving percussion and arpeggiated synths, ensuring that even at 12 minutes long, you’ll still be wanting an even longer re-edit. Completing the package Drop Out Orchestra have supplied a stripped down dub, My Beautiful Percussion, that just highlights what an insanely good job they did, reduxing their mix into 6 minutes of taut funky disco destined to rule over discos.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Somewhere between pop spellcasting and club catharsis, the line between artist and alter ego blurs into something feral, fabulous, and dangerously seductive.
From November 14 to 16, 2025, Maastricht will once again transform into a hub for fashion, art, and performance as the FASHIONCLASH Festival kicks off its 17th edition.
Drowning in all the new music releases? We’ve got you covered. Dive into our handpicked selection of this week’s standout tracks, from rising stars to iconic artists.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
