Some collections feel like time machines. 93 SIERRA/CROSSES’ Spring/Summer 2025 line transports you straight to early 2000s Asturian summers—those endless days of crashing waves, peeling sunburns, and hardcore blasting from a beat-up stereo.
This is nostalgia served raw. Graphic tees look like they’ve been pulled from a 2003 skate shop. Sweats and trousers carry that sun-bleached, lived-in softness. The swim shorts could’ve been stolen from some forgotten surf brand’s heyday. Even the outerwear has that throwback technical edge—the kind you’d throw on when the coastal wind kicked up.
Two new shades join the Vexed Mask sunglasses lineup: cocoa brown and milky white, adding to the collection’s muted-but-sun-drenched palette. It’s all very specific, very tactile, less about reinvention than about bottling a feeling.
For anyone who came of age with salt in their hair and rebellion in their veins, this drop hits like a memory.
Check it out below:
Photo @sergio____p
Photo assistant @_hamzassioua
Video @jeanlafleurr
DOP @carlos.rodil_
Muah @gorka.larcan
Models @ssheloveslucas @hampemann.gs @deliciousenough @fattiamos
Thanks to @havaianaseurope
James Edward photographed by Jess Segal and styled by Heloise Chauvenhei, with creative direction by Charlotte Carter, in exclusive for Fucking Young! Online.
PUMA’s Talon sneaker, first launched in 2004, is a relic from a specific time. It’s a shoe pulled from the archive, but its new collaboration with NO/FAITH Studios is about more than just nostalgia.
This season confirms SHOOP’s design approach. It draws from the everyday and reinterprets it through a poetic, modern lens, creating a language that joins the functional with the emotional.
Drowning in all the new music releases? We’ve got you covered. Dive into our handpicked selection of this week’s standout tracks, from rising stars to iconic artists. Your perfect weekly soundtrack starts here!
The campaign, shot in the heart of Notting Hill, is a modern interpretation of Britishness, seen through the lens of Paul’s own curious spirit and his love for collecting the unexpected.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
