What better way to mark the first anniversary of 30 Montaigne’s reinvention than with a fairy-tale window display elaborated from upcycled fabrics and materials from the Dior Ateliers?
Dreamy landscapes, wonderful flora and fauna, a bucolic interlude… The windows of 30 de Montaigne house a fairy tale decoration made from recycled discards, decorations and material workshops, as a tribute to his exceptional savoir-faire.
Among the creatures of an eternal summer, a brand new bird of paradise mixes with butterflies and bees, owls and other captivating beings, made from recycled objects and Dior Oblique fabric that the House’s artisans did not need. Here, the iconic D for Dior buckle—usually adorning the Saddle bag—forms the beak of an imaginary bird, while elsewhere one of Lady Dior’s charms becomes the eye-catching attribute of another dream animal. An invitation to poetic flight and a true treasure hunt that playfully encourages visitors to discover the key components of the Dior emblems. To discover until the beginning of May.
James Edward photographed by Jess Segal and styled by Heloise Chauvenhei, with creative direction by Charlotte Carter, in exclusive for Fucking Young! Online.
PUMA’s Talon sneaker, first launched in 2004, is a relic from a specific time. It’s a shoe pulled from the archive, but its new collaboration with NO/FAITH Studios is about more than just nostalgia.
This season confirms SHOOP’s design approach. It draws from the everyday and reinterprets it through a poetic, modern lens, creating a language that joins the functional with the emotional.
Drowning in all the new music releases? We’ve got you covered. Dive into our handpicked selection of this week’s standout tracks, from rising stars to iconic artists. Your perfect weekly soundtrack starts here!
The campaign, shot in the heart of Notting Hill, is a modern interpretation of Britishness, seen through the lens of Paul’s own curious spirit and his love for collecting the unexpected.
Carhartt WIP’s Fall 2025 campaign feels like a quiet shift. It’s not about grand statements or dramatic scenes. Instead, it turns its attention to the spaces in between: the small, ordinary moments that make up a day.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
