Each short film references Walter Van Beirendonck ’s latest collection, interest in early 70s punk culture, Alice in Wonderland, wild and colorful make-up, brutal beauty, and multiracialism.
TREMORS creative director Maks Fus-Mickiewicz worked with muses he met online and in London club nights, such as The Abyss, to create three videos titled Brutal Love, Total Liquidity, and Self Destruction.
“Toy-like avatars explore extreme identities, defy mainstream beauty standards, and ask audiences to question their own racial, sexual, and psychological make-up,” says Maks Fus-Mickiewicz.
“These 3D spaces speak to Walter Van Beirendonck’s interest in utopias – the need to dream in order to not only escape reality but to challenge it. In doing so they ask us to break free from the mind-forged chains of convention we weigh ourselves down with day to day.”
TOTAL LIQUIDITY: Salvia consistently alters herself beyond recognition to create beautifully alien personas that put ‘natural beauty’ advocates to shame. Using several of Salvia ’s looks, Team Hyperalliance, made up of artist Ines Alpha and producer Panteros666, have created a high-energy video that pushes identity as a fluid concept.
BRUTAL LOVE: performance artist Maria Forqué uses her body as a tool to explore feminine vulnerability. Taking inspiration from L’Origine du monde by Gustav Courbet, artist Jennifer Mehigan has placed Forqué in a jarring landscape designed to subvert the straight gaze, with a dissonant soundtrack created by PAN records producer Flora Yin-Wong.
SELF DESTRUCTION: Liza Keane is a fashion designer and performance artist who dwells within London’s hedonistic underground club scene. Her punk-rock penchant for self-destruction is embodied in a film by artist Claudia Maté, where she smashes a Chucky-like doll version of herself to release her demon spirit to an off-kilter lullaby by producer Soda Plains.
C2H4® is slowing down. Instead of chasing seasons, their R011 Collection is built to last: one carefully crafted lineup per year, designed to stay relevant long after the trends fade.
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
