‘You’re an addict, so be addicted. Just be addicted to something else’
Old habits die hard but to counterbalance an addiction with another one doesn’t help and, frankly, it’s not a smart move. Whether it has to do with an extra dose of drug or porn material, a film will always unfold a disreputable topic through an intense aestheticisation.
Mimetic dissipation upsets many in several regards and when Trainspotting was released in 1996, it was accused of celebrating heroin. 20 years went by since skinhead, pale Ewan as Mark Renton and his clique of stoned outcasts journeyed around Edinburgh, drugs and the Thatcher era. The ‘reformation’ of Ewan McGregor after the first Trainspotting has brought him to a state of moderation more appropriate to a high profile Holly actor. But if the lack of moderation gave McG the impulse to a bright acting career, well, Fuck the moderation! McGregor seemed to have overcome the addiction thanks to various Star Wars, some memorable on-screen smooches with Jonathan Rhys Meyers in Velvet Goldmine and Nicole Kidman in the bohemian Moulin Rouge and other successful involvements but, for all the real film buffs, he is still the jeans-and-Chucks boy lying down on the railway tracks in a scene of a film that has become a cult.
The trailer of T2: Trainspotting has just premiered and, if you haven’t watched it yet, try to image what’s going to happen years later.
Option 1: Renton, Begbie, Sick Boy and Spud have changed their lives and are planning a friend reunion where they’ll watch Christiane F. We children from the Bahnhof Zoo and drink Coke all night long. Option 2: The four are going to sing karaoke all the Spice Girls’ songs and then count the pricks the needle has left on their arms to remember the good old times. Option 3: They’re going to screw it up again.
Let me give you a clue: read once again the opening line of this review! There are pretty substantial guarantees the sequel makes capital out of. The screenplay by John Hodges is based on Porno, a novel by Scottish Irvine Welsh, the characters are the same- just less blonde but terrifically grown old-, there’s much debauchery for a Rating R or more, Born Slippy by Underworld should be on the soundtrack list and Danny Boyle is back to direction. Besides the good, the full-length preview shows unconvincing details for a cult-movie’s sequel: the photography by Anthony Dod Mantle is rather glossy and inapt for a movie about bad things, the story looks action-packed and far enough from the prequel’s drama and degradation like slut shaming and revenge porn, more moral than physical, might throw our expectations off centre.
T2: Trainspotting will hit cinemas on 27 January 2017 in the United Kingdom, 3 February in the United States and worldwide on February 10. Oh, who knows whether Begbie has forgiven Renton or…
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.