You just read Sleeping Beauty and thought of a princess. That’s nice. Except this is no fairytale. Julia Leigh, an Australian well-established novelist, wants to lay this provocative Sleeping Beauty in a XXI century bed in her debut as a screenwriter and director. Now take this as a warning: she may ruin your childhood memories related to Disney’s sleeping blonde. Be prepared for a striking psychosexual artsy drama presented by Jane Campion (The Piano) and starring Emily Browning (Sucker Punch) – who may as well consider Leigh as her career’s fairy godmother if this film delivers what it promises.
Browning plays Lucy, a disenchanted university student who drifts into a strange surreal world of escort business specializing in bizarre and very discreet fetishes… In the ‘Sleeping Beauty Chamber’ old men seek an erotic experience that requires Lucy’s absolute submission – meaning she’ll have to knock herself out with drugs prior to each encounter with clients. When she wakes up the next morning, she’ll have no memory of the event. “It will be as if the hours never existed.” It sounds nightmarish, alright. But the plot gets even more disturbing when young Lucy becomes obsessed with knowing what clients do with her while she’s unconscious.
The beguiling trailer promises a film that skillfully combines an art house sensibility with a black erotic thriller genre and it offers some ‘Kubrick meets Sofia Coppola’ imagery. Also, it features the beautiful cinematography of Geoffrey Simpson – yes, the kind of beautiful that makes film lovers light up like a christmas tree.
Are you getting curiouser and curiouser? Curiosity is definitely the lust of the mind. Sleeping Beauty is Palme d’Or nominated and it just might be the hit of this year’s Cannes Film Festival. Either way, can hardly wait.
Change isn’t always about moving forward, but sometimes, it’s about holding on. For their Spring/Summer 2026 collection, Milieuschutz, Richert Beil explores exactly that tension.
Inspired by the hidden love stories of novels like Maurice, Swimming in the Dark, and Young Mungo, the collection moves through three emotional stages of queer coming-of-age: concealment, self-acceptance, and the bittersweet weight of memory.
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Paris Fashion Week witnessed Steven Passaro’s Moonlit Lover Spring/Summer 2026 collection, an exemplar of the aftermath of love encountered after midnight and gone before sunrise.
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Craig Green’s Spring/Summer 2026 collection feels like a half-remembered dream with shapes you recognize, but shifted just enough to make you look twice.
Photographer Denzil Jacobs presents a selection of eclectic looks photographed on the streets of Paris during Men’s Paris Fashion Week, outside Amiri, Rick Owens, 3.Paradis, Kidsuper and more, exclusively for Fucking Young!
VIKTORANISIMOV chose an unlikely stage for its first Berlin Fashion Week presentation: a former telecommunications bunker, now The Feuerle Collection museum.
After the show, designer Feng Chen Wang caught up with us, to open up about the emotion behind this collection, and the brand’s evolving identity – accompanied by backstage moments captured by Leiya Wang.
Take a look at DOUBLET’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Take a look at KIDSUPER’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
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SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.