NIKELAB X PIGALLE Reinterprets the Look of Street Basketball
by Adriano Batista
For Pigalle founder Stéphane Ashpool, the 1990s represented a golden era of basketball. Rivalries ran rampant, legends ascended to new heights and dynasties were born. The decade is an important influence on the designer, not just in terms of sport, but also in regards to American fashion. Fittingly, the French style leader’s new NikeLab x Pigalle collection combines his memories of the era and his unbridled passion for basketball.
The collection reimagines traditional basketball silhouettes through the use of layers, mixed proportions and pop colors. The aesthetic is consistent with how Ashpool has dressed ever since he was a competitive basketball player in his youth.
“As a daily basketball player with Parisian style, I developed very early this idea of an on-court and off-court approach,” Ashpool says. “For example, I was known to play in a chino short with a white tank and some Nike Air Raids. As soon as the game finished, I put back on my shirt and my hat. I could easily spend all day in this outfit. There was no need to change.”
The NikeLab x Pigalle collection channels this versatility with a mix of jerseys, reversible shorts, short sleeve hoodies, t-shirts and hats. A consistent graphic element across the offering is a speckled print inspired by basketball’s shot clock.
“The shot clock is a base, but it’s really movement and time passing that are two of my main inspirations,” Ashpool says. “The passing of time combines the present, the future and the past to create something unique and inspiring. I always think of it when I work.”
The nine-piece collection includes the NikeLab x Pigalle Dunk Lux, a basketball icon updated with luxurious materials and a more contemporary shape.
“The shape is very popular in Europe,” Ashpool says. “I like the idea that the shoes can be worn by a diverse crowd. It’s the perfect transition between on-court and off-court.”
The NikeLab x Pigalle collection is available beginning June 27 at select NikeLab retailers and on nike.com/nikelab.
Topman Fall/Winter 2015 Lookbook
The Delivery Man
actual
NIKELAB X PIGALLE Reinterprets the Look of Street Basketball
previous
Topman Fall/Winter 2015 Lookbook
next
The Delivery Man
We had the opportunity to chat with Martin about the great skincare reset and what we can learn from Danish clean beauty.
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Daniel Solano captured by the lens of Arthur Coelho and styled by Dana Fracalossi, in exclusive for Fucking Young! Online.
For his second couture show closing Haute Couture Week, Kevin Germanier chose to have fun.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
For Oakley, it’s been five decades of innovation, turning science into design, and refusing to blend in.
Alan Crocetti’s latest collection, Hard Core Fantasy, is a deeply personal exploration of identity, desire, and self-protection through jewelry.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
LARUICCI’s Spring/Summer 2026 collection bottles the chaotic charm of early 2000s Hollywood.
PRISMA’s latest collection isn’t about hiding but about what happens when you stop trying to.
HEREU is marking its 10th anniversary with Memory. A Play of Twos, a photobook that captures a decade of creative exchange.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
We talked with Ziggy Chen to learn more about the thinking behind PRITRIKE, his process and his relationship with materials.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
This weekend, Eastpak reminded us that backpacks aren’t just carriers of belongings – they’re carriers of stories, creativity, and identity
For Spring/Summer 2026, A. A. Spectrum finds inspiration in quiet moments, the natural ease of creativity, and the unforced beauty of renewal.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
Maciej Poplonyk photographed by Arthur Iskandarov and styled by Egor Telenchenko, in exclusive for Fucking Young! Online.
Titled “YOU DO NOT BELONG HERE,” the visuals strip away ambiguity, trading fantasy for sharp, cinematic storytelling.
We met Yoon Ambush – Co-founder and Creative Director of AMBUSH – in Paris during Men’s Fashion Week.
Les Benjamins has turned its attention to the tennis court with a new collection that mixes sport and style.
GUESS JEANS has officially arrived in Tokyo, opening its first Asian flagship store in the heart of the city’s fashion district.
WHOLE is a pilgrimage for the global queer community, a temporary world where joy, radical acceptance, and self-expression reign supreme.
Alexis Otero captured by the lens of Lucas Lei, in exclusive for Fucking Young! Online.
Levi’s® is celebrating Oasis’ long-awaited reunion with a new collection that combines the band’s iconic style with classic denim.
There’s no bitterness in the heartbreak here, just the sense that longing isn’t defeat, but proof you’re alive.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
