Martin Niklas Wieser Lookbook
by Adriano Batista






Simon Dube and Johannes appear in the latest lookbook of Martin Niklas Wieser.
Martin Niklas Wieser is a creative undertaking, operating in the intermediate range of fashion and art.
The project–based work process builds upon the idea of continuity, rather than on a seasonal, more fashion typical rhythm. This means one project adds and extracts from the other. There is no concrete line drawn between season or trend, but the process is rather understood as a natural rhythm (one outcome follows the other). The aim hereby is to produce a self-contained product and unite high quality tailor worked pieces with a strongly art-related aesthetic.
The single pieces originate from a strongly conceptional groundwork, and simultaneously maintain an autonomous identity as a fully functional product. Fashion is not understood as art and there is no ambition to intellectualize fashion, but the close relation of those two elements is essential. This philosophy is thoroughly echoed in the identity of Martin Niklas Wieser.
Cooperations with labels such as Bernhard Willhelm and Fabrics Interseason have been important aspects in the developing / formation / establishing of Martin Niklas Wieser. Collaborating with various artists on different projects is a universal key element to the work and makes up a vital part of the attempt to capture and incorporate current flows.
The current project is based on the idea of the breakdown of pornographic stereotypes and the demystification of intimate sexual fantasies. The mood and statement is dark and sinister. The clash of “privathood”, social codes and communal adaptation, collides with a strong reduction in material and aesthetic. This clash is also to be found in the structure of the collection itself, every piece has its own character, yet corresponds with the overall idea; it is an accumulation of various elements and pictures.
The clothing is highly elaborate and hand made, and is produced in entirety in Berlin under fair conditions by highly qualified tailors. The hand craft element plays a major role in the realization of the collection. Besides hand–knitted pieces and hand–dyed fabrics, almost every fabric is being processed in different ways.
This clash of ideas and visuals is being compressed to an understated intimate view on contemporary wear.
ROBERT GELLER
A SHADED VIEW ON FASHION FILM 2010
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The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
Photographed by Juergen Teller and styled by Jodie Barnes, the campaign features models Alex Consani and Leon Dame.
The message is an invitation. It’s a call to “cum” together, to join what they playfully term the “Carne Cummunity.”
SOLID HOMME applies its own clean, specific point of view to the iconic MA-1 flight jacket from Alpha Industries.
Balenciaga just unveiled a collection of ten fragrances. This launch moves beyond traditional perfumery, built instead on fusion and tension.
Dior has unveiled a new bag for the Winter 2025-2026 collection: the Dior Slider hobo.
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Desigual introduced its new premium line, Desigual Studio, with a fashion show in Barcelona last night.
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Oakley has unveiled its latest project with global football icon Kylian Mbappé, and it centers on a cool idea: artifacts from the future.
Y-3 returns with a campaign for its Fall/Winter 2025 collection, and it chooses a distinct voice to tell its story.
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The fashion house Ami Paris has announced a new partnership, naming actor and singer Zhou Yiran as its Global Ambassador.
James Edward photographed by Jess Segal and styled by Heloise Chauvenhei, with creative direction by Charlotte Carter, in exclusive for Fucking Young! Online.
LUMA Arles presents one of David Armstrong’s most ambitious posthumous exhibitions, drawn entirely from his estate.
Juwon photographed by Szymon Stępniak and styled by Helga Dubrovska, in exclusive for Fucking Young! Online.
PUMA’s Talon sneaker, first launched in 2004, is a relic from a specific time. It’s a shoe pulled from the archive, but its new collaboration with NO/FAITH Studios is about more than just nostalgia.
Rier unveiled its Winter 2025 campaign captured by the lens of Alessandro Furchino Capria and art-directed by Jérôme André.
Beyond Retro’s Fall/Winter 2025 collection, “Corporate Country Club,” is built on this idea of seasonal shift.
Gant’s Fall/Winter 2025 campaign finds its home in a familiar place: the worn-in booths and historic walls of a classic New York City restaurant.
For the Ann Demeulemeester Fall/Winter 2025 collection, creative director Stefano Gallici takes a visual journey.
MR PORTER introduces its Fall/Winter 2025 campaign with a clear focus: timeless pieces for the season ahead.
Mode Suisse proved itself, once again, to be a vital platform for Switzerland’s diverse and inspirational fashion community.
This season confirms SHOOP’s design approach. It draws from the everyday and reinterprets it through a poetic, modern lens, creating a language that joins the functional with the emotional.
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