Get ready for one of the most downright-sadistic and warped impersonations of James Franco.
After releasing their debut music video ‘RAGS‘ directed by GORSAD who recently signed Ariel Pink’s ‘Time To Live‘ video, GOTHKING are back with a brand new video for their single ‘JAMES FRANCO’ directed by Brice Krummenacker and Fanny Schlichter. I don’t think even the best scientists could figure out what goes on in the directors’ mind. It shows the beauty in a demented life. Claustrophobic yet anarchic.
Anticipating their self-released debut EP ‘IN GOTH WE TRUST’ to drop by the end of this month, the Paris/London based trio establishes their very indiscriminate approach to music by exploring the boundaries of the genre both sonically and visually. The stylised visuals full of shishas, underground parking, and sneakers features not only several up and coming brands such as Neith Nyer, Token, OBERKAMPF, Vinti Andrews, Pawaka, Diana Law but also more established VANS, ALYX Studio, Lacoste, Adidas, and Nike.
DIRECTED & DOP BY Brice Krummenacker & Fanny Schlichter
PRODUCED BY Andriy Zozulya-Davidov
ART DIRECTION: Brice Krummenacker, Fanny Schlichter & Andriy Zozulya-Davidov
STYLING: Anna Barr
CLOTHES: Neith Nyer, TOKEN, Gola, Vans, ALYX Studio, BOYHOOD, Vinti Andrews, OBERKAMPF, Nike, Lacoste, Adidas, PAWAKA, Diana Law
CAST: Andriy Zozulya-Davidov, Nicolas Demay, Alex Molinier, Luc Bruyere, Liza Ostanina, Jon
K.Harker, Camille Naomi Delfs, Masha Zolina, Romain Lebeau, Clara Francese, Sema-Tawi Smart, Cypriano Masolini.
SPECIAL THANKS: GOTHFAM, Adrien Wend, Jon K. Harker, Le Carmen, La CLEF, Gisèle Lescuyer, Nadège Nez, La Fonderie, BERG France, Tine Kozjak, Stéphanie Veuriot, Autrement PR, Jin Joo Lee, Jesus and James Franco.
Because home should never be denied to anyone. In a world where home shouldn’t be a privilege but a right, artist and activist Charlie Smits is stepping up. Smits has teamed up with Fundación… »
Craig Green’s Spring/Summer 2026 collection feels like a half-remembered dream with shapes you recognize, but shifted just enough to make you look twice.
Photographer Denzil Jacobs presents a selection of eclectic looks photographed on the streets of Paris during Men’s Paris Fashion Week, outside Amiri, Rick Owens, 3.Paradis, Kidsuper and more, exclusively for Fucking Young!
VIKTORANISIMOV chose an unlikely stage for its first Berlin Fashion Week presentation: a former telecommunications bunker, now The Feuerle Collection museum.
After the show, designer Feng Chen Wang caught up with us, to open up about the emotion behind this collection, and the brand’s evolving identity – accompanied by backstage moments captured by Leiya Wang.
Take a look at DOUBLET’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Take a look at KIDSUPER’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
For Camiel Fortgens’ SS26, models walked the actual streets of Paris during Fashion Week, portable speakers in hand, each playing a fragment of the show’s soundtrack.
Created with artist Samuel de Sabóia, the lineup weaves together regeneration, spirituality, and a question: What does the future of fashion look like?
For their SS26 show, the adidas and Yohji Yamamoto collaboration traded the standard runway for something more visceral: a four-act performance directed by choreographer Kiani Del Valle.
After showing off-calendar for two seasons in a presentation format, the 2023 LVMH Prize-nominated designer Kartik Kumra is now the first Indian designer to be on the official menswear calendar.
SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
For SS26, Hung La’s LỰU ĐẠN closes its trilogy “MAYHEM,” “YOU DON’T BELONG HERE,” and now “NO MAN’S LAND”, with a collection that stares straight at the people society ignores.
Marine Serre‘s Spring/Summer 2026 collection is about the quiet revolution happening in every stitch. Titled THE SOURCE, this is clothing that moves with purpose, crafted by hands that treat savoir-faire not as a relic, but as rebellion.
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.
Entitled ‘The Boy Who Jumped the Moon’, this latest KidSuper collection explored key notions of naïveté, innocence and dreams, which are some of the defining characteristics of any childhood.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
