With this season’s arrival, Études unveiled their newest collaboration featuring the renowned New York Times logo, centralizing around the general theme of history versus daily information.
Throughout this special project, Études appropriates The Times’s logo that in the past centuries and decades has become one of the most recognized symbols. By translating the news organization’s image onto Études’ new collection— with the inclusion of shirts, caps, scarves, jackets—the continual existence of stories is physically recalled into the everyday, making us remember that our generations are also there to be echoed in those to come.
For the men’s Summer 2020 collection, Dior’s iconic “newspaper” print – first created for the Spring/Summer 2000 haute couture show – has been reworked by Kim Jones in collaboration with the contemporary artist Daniel Arsham.
This season, Orelsan and Sébastian Strappazzon drew their inspiration from “The Marathon des Sables”, a 160-mile race through the Sahara dubbed “The Toughest Footrace on Earth”, where participating athletes endure a six-day trek.
London’s University of Westminster hosted its third BA show during London Fashion Week, under the leadership of Professor Andrew Groves who radically rethinks the purposefulness of fashion education, delivering a collective catwalk show aligned with the fashion calendar.
Derived from the constant tension between Western imposition and traditional African idols explored in Chinua Achebe’s writings, “Underground Spiritual” keys on the clash between traditional and non-traditional culture that reached a crescendo during the 1960s and 70s.
For FW20, the 3.1 Phillip Lim essential wardrobe is streamlined and strengthened, with styling elements that casually disrupt the modern wardrobe, revisiting the brand’s core New York heritage.
As photographer Pasquale Autorino toys with perspective and composition, he captures the dichotomy between balance and equilibrium of the collective in this Fucking Young!’s group editorial.
