Burberry puts the kibosh on fashion’s old-fashioned formula: A real revolution or much ado about nothing?
by Yari Fiocca

Burberry SS16 Backstage by Portia Hunt
The breakthrough came last week from the checked British behemoth’s Christopher Bailey– the all-round Burberry lad- CEO and Chief Creative. All this was not supposed to be a tiptoe manoeuvre as not to wake the entire fashion reign, contrary, it was a bitch slap. Bailey’s mutiny is actually compelling the fashion system to rethink its policy and plan how to get by in today’s do-or-die critical climate- the second thing is disclosed subtly-. Burberry has announced a change to its runway and retail calendar and will show its womenswear and menswear conjointly twice a year- February and September, during London Fashion Week- and collections will be immediately available for sale. With the gender issue in an uproar these days, Burberry’s top dog combines business with a cultural (r)evolution. “The change we are making will allow us to build a closer connection between the experience we create with our runway shows and the moment when people can physically explore the collection themselves” says Bailey. Well, it sounds as a safe assumption more than a convincing one.
Money outweigh everything else- sorry, I did not find any other way to blurt out what lies beneath in my opinion!- In the last months of 2015 the brand-name has recorded the worst downward trend since 2012 with a loss of 12% and this comes as a financial expedient, mainly, not- as stated- to deliver a more genuine customer engagement- customers have already the stimulus and attention they deserve!-. Live streaming, tweets, comment-posting, hashtags are all tools that empower people- not pros in this specific case- to have an active involvement in the fashion industry. Even Tom Ford– who did decide to present his AW16 in September- is going to follow suit. “In a world that has become increasingly immediate, the current way of showing a collection four months before it is available to customers, is an antiquated idea and one that no longer makes sense. We have been living with a fashion calendar and system that is from another era” Ford himself revealed- I think we will survive- hey hey!- the four-month wait, Tom! But we appreciate the effort.
To delete two of the four runway shows means not only a sizeable saving- coordination and management of the events- but, combining it with a faster availability of the merchandise- producers immediately give the dummy to the mass market’s babies-, boosts a depressing way to envisage fashion emotionally. The Buy It Now trend- or trick?- is able to wipe out the peculiar features of fashion design: the emotional response to products, firstly. To make something accessible in a short while is like creating a product already debased, the wait gets emotions stronger. It’s a too rational fashion, shorn of its magic and incalculability but, these are the- new- rules of the game. Long live the disenchantment of the world! Who can blame it? This is capitalism after all.
FRED PERRY X NIGEL CABOURN
W.C. by Steve Marais
actual
Burberry puts the kibosh on fashion’s old-fashioned formula: A real revolution or much ado about nothing?
previous
FRED PERRY X NIGEL CABOURN
next
W.C. by Steve Marais
Ruslan photographed by Alba Cámara and styled by Nora Hausmann, in exclusive for Fucking Young! Online.
8IGB Community Clothing presents its Spring/Summer 2026 collection, titled ANTITHESIS.
Adam Sattrup photographed and styled by Jacek Szopik, in exclusive for Fucking Young! Online.
Marine Serre presents the third chapter of her FW25 campaign. Titled “NIGHT IN SHANGHAI,” this final act builds on the themes of her Paris show, exploring illusion and emotion through a cinematic lens.
SATISFY and Oakley have reunited for their sixth collaboration.
Maison Kitsuné and the British heritage brand Hunter have joined for their first collaboration.
LOEWE and On present their Fall/Winter 2025 collaboration, featuring the first model they have designed together: the limited-edition Cloudsolo sneaker.
Burberry’s new campaign, “It’s Always Burberry Weather: Postcards from London,” celebrates its heritage in outerwear.
The long-running collaboration between Moncler and JW Anderson returns.
Yohei Ohno captured by the lens of Valeria Vargas and styled by Iris Lima, in exclusive for Fucking Young! Online.
This project builds on past apparel collections, reinterpreting the classic Nike Air Force 3 Low through NIGO’s unique perspective.
Designed by Eli Russell Linnetz in Venice Beach, the line is made in California and draws from a deep part of American memory: the surplus store.
A$AP Rocky and PUMA have released their latest and largest collection. The new line finds its inspiration in the Harlem jazz renaissance, mixing that era’s energy with modern streetwear.
The project, titled “Heart To Heart,” is built on a shared belief in creativity, individuality, and emotional well-being.
Bimba y Lola held an event at the Reina Sofía Museum in support of a new exhibition for the artist Maruja Mallo.
For its 65th edition, Lisboa Fashion Week asked a simple, radical question: what if we showed you the foundations instead of just the facade?
Marwan El Anbari and Hiago Paulino photographed by Joey Leo and styled with pieces from Lito Fine Jewelry, in exclusive for Fucking Young! Online.
This woven model is the latest addition to the Tormenta line, joining the original version and a semi-open style from the previous season.
This product represents a new idea of luxury, one built on absolute precision brought to everyday life.
Check out below the collection captured at VETEMENTS’ backstage, captured by Rita Castel-Branco, in exclusive for Fucking Young!
American designer Thom Browne presented his Spring/Summer collection during Paris Fashion Week.
Art lovers, save the date. Art Basel Paris 2025 arrives this October as a reaffirmation of Paris’s position in the global contemporary art world.
For its Fall/Winter 2025 campaign, Willy Chavarria introduces a new chapter called EXACTAMENTE.
Farah introduces The Archive, a 16-piece capsule collection that steps into its own history.
Our photographer Emil Huseynzade went backstage at ModaLisboa to capture the menswear looks from SANGUE NOVO, in exclusive for Fucking Young!
Zach Delf photographed by Sanem Ozman and styled by Talia Voon, in exclusive for Fucking Young! Online.
For its Spring/Summer 2026 collection, Rhude explores the idea of the Renaissance Man.
Trashy Clothing’s Spring/Summer 2026 collection is called “Bikini Diplomacy.” It begins with a feeling of déjà vu.
Sandro Vepkhvadze photographed and styled by Beka Gulva, in exclusive for Fucking Young! Online.
Duran Lantink’s first collection for Jean Paul Gaultier is called “JUNIOR.”