Berluti unveiled its Fall/Winter 2019 campaign, photographed by Alasdair McLellan.
Kris Van Assche’s thoughtfulness can be certainly categorized as a “far-off” from your classic sartorial let-down. A weightless array of polished comfort juxtaposed with a high-end experimental consciousness hoisted the designer’s latest campaign, striking a progressive iteration of menswear tailoring that paid homage to the LVMH-owned long-long-term legacy.
Accompanied by a copious assortment of eyewear and chisel-toed shaped boots, Berluti’s FW19 collection was indeed a genderless affair, delivering adaptations such as trimmed coats (with brave shoulders), tailored jackets, and smartly-structured trouser bottoms, formalizing the take of the modern man. Lustrous highlights raised the bar, that’s in shirting, tucked beneath a plethora of crisply-cut blazers with color-harmonized trousers, introducing a throbbing palette of oranges, blues, and blacks. Elsewhere graphic themes stormed upon clothing, mimicking and emboldening the brand’s fine etiquette. Outerwear staples are predominant, emblazoned by sleeked-back hairstyles that provide an impalpable sense of unfading luxury.
This season, Orelsan and Sébastian Strappazzon drew their inspiration from “The Marathon des Sables”, a 160-mile race through the Sahara dubbed “The Toughest Footrace on Earth”, where participating athletes endure a six-day trek.
Derived from the constant tension between Western imposition and traditional African idols explored in Chinua Achebe’s writings, “Underground Spiritual” keys on the clash between traditional and non-traditional culture that reached a crescendo during the 1960s and 70s.
For FW20, the 3.1 Phillip Lim essential wardrobe is streamlined and strengthened, with styling elements that casually disrupt the modern wardrobe, revisiting the brand’s core New York heritage.
As photographer Pasquale Autorino toys with perspective and composition, he captures the dichotomy between balance and equilibrium of the collective in this Fucking Young!’s group editorial.
Ivan Pons captured by the lens of Carlos Pareja and styled by Rocco Marvin with pieces from Calvin Klein, Levi’s, Dr. Martens, Alpha Industries, Extra by Rodrigo Falero & Agustin Power, Kabuki, Sergidevcia Couture and… »
This Spring 2020 season G-Star RAW embarks on an urban expedition with a collection inspired by the famous G-Star archive; a proposal that bets on modern designs and new star garments in denim.
Gucci unveiled its latest digital project, a curious and fun reinterpretation of the concept of imitation and replica, seen through the objective of the artist, photographer, and director Max Siedentopf.
This collection was inspired by 1978-1979 Italian counter-culture chipped by terror attacks, the so-called “Anni di Piombo”, and fueled by the tension between the end of ideological 70s and the dawn of 80s hedonism.
