The new Valentino campaign, titled Fireflies, is built around a central idea: falling. This is not presented as an accident, but as an original human condition. The campaign frames balance as a fragile interval, not a natural state. It begins with the awareness that the vertical posture we hold is provisional, constantly negotiated.
Creative Director Alessandro Michele suggests that falling reveals our structural dependency on others. It becomes a political idea, shattering the myth of self sufficiency. The campaign proposes that we cannot resist stumbling alone; we need the grace and concern of those who try to hold us. In this view, care does not mean preventing the fall, but making it inhabitable. It means sharing the weight and being present in instability.
GUESS JEANS has released a new capsule collection with Borussia Dortmund, bringing the German club’s black and yellow identity into the brand’s denim universe.
The new ARNODEFRANCE collection is called “Silence Taught Me Violence.” After last year’s debut shows in Paris and the push to articulate the label’s identity to a wider audience, founder Arno has pulled the volume down. The… »
Through intimate portraits of friends, Javier González de Castejón transforms vulnerability into connection. Bodies appear not as something to expose, but as something that holds stories, trust and shared time.
Burberry has released a new capsule collection created with the Royal Collection Trust, the department of the Royal Household that looks after the official art collection.
Laskaar has a new single out. The artist closes the chapter of his album TRANSFORMA with a new single, “Materialista,” and it sounds nothing like where he started.
Guinness and JW Anderson are back with a second collaboration. The new collection follows their 2024 debut and expands significantly, moving from four pieces to 17.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
