Oakley is returning to its 2004 archives to reissue the FatCat as part of the MUZM collection, a series that revives era-defining designs. The sunglasses resurface over twenty years after their original release, connecting generations through a silhouette that captured the early 2000s.
The MUZM FatCat stays true to the original. The organic sculpting and deep-set lenses that made it a cultural marker remain intact, now updated with Oakley Prizm Lens Technology. The bold proportions of the Heavy Stretch Logo are unchanged, while lightweight O-Matter material keeps the frame durable and flexible for everyday wear.
The reissue is led by professional footballer and Team Oakley athlete Alexia Putellas, part of the recently launched Oakley Players Collection that surrounds sports culture. “FatCat has that rare balance of heritage and futurism,” Putellas said. “It’s rooted in a defining moment of sports culture, but still feels like something designed for what’s next.”
Check it out below:
Oakley MUZM FatCat will be available in two colourways: Matte Black with Prizm Grey lenses and Cream with Prizm 24K Polarized lenses. The release begins on 26 May at Oakley.com and select Oakley stores and partners worldwide.
It’s the time of year when Florence becomes the epicentre of menswear as Pitti Uomo’s summer edition welcomed over 740 brands to showcase their Spring/Summer 2027 collections.
SANGUE NOVO, the platform that has been identifying new voices in Portuguese fashion for over three decades, has opened applications for its next edition with a manifesto for the first time.
Balenciaga has introduced a new facet of the house with TechWear Wellness, a line that merges sport, technology, and the brand’s heritage of innovation.
The collection examines the environments where new identities and forms of self-expression take shape, exploring the communities and cultural processes that define their time.
The 31st edition of FIRE!!, the Barcelona International LGBTQ+ Film Festival, has announced its winners after eleven days of cinema, cultural activities, and professional gatherings.
Opening the week of Pitti Uomo 110, the Polimoda Graduate Show 2026 celebrated the school’s 40th anniversary with a showcase of more than 100 looks from 20 emerging designers representing 15 nationalities.
For Art Basel 2026, Jessica Silverman Gallery returns to the fair’s main Galleries sector (Hall 2.1, Booth J5) with a tightly curated presentation spanning historic works, fresh commissions, and some of the gallery’s strongest voices across painting,… »
We sat down with HoneyLuv before her set at Adriatic Sound Festival, a converted airport on the Adriatic Coast packed with awesome stages and a crowd that came ready to move.
As Paris Men’s Fashion Week returns with its ever-evolving mix of tailoring, creative energy, and after-hours fun, the city’s dining scene is stepping into the spotlight with a confident new wave of dining that is making up to be as exciting as the collections themselves.
Whether you’re dancing from sunrise to sunset, braving unpredictable weather, or sleeping under the stars, these are the festival must-haves we’re packing (or wishing we had packed) for the season ahead.
Walton Goggins is back as the face of Paul Smith, following up on the first campaign with a new season that explores sartorial codes through a playful lens.
The lineup features two pieces with hand-drawn illustrations by Houston-born, Brooklyn-based artist Jos Hurt, whose work moves between fantasy, memory, and personal mythology.
The collection proposes a wardrobe where freedom and construction are not in opposition but in conversation. Spring 27 is about lightness, in every sense of the word.
British conductor Oliver Zeffman, through Classical Pride, celebrates the contributions of LGBTQ+ artists to classical music while bringing a fresh, joyful energy to the genre.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
