LA ISLA by Matu Buiatti
by Edu Garcia Llamas
In an age of relentless image production, where bodies are captured, filtered and consumed in seconds, Matu Buiatti’s La Isla moves at a different tempo. Developed over 18 months, the project is built from real encounters with people who were complete strangers at the beginning. There was no script, no performance, no pre-designed aesthetic. Only time, conversation and the slow construction of trust.
Shot entirely on analogue film, La Isla embraces slowness as both method and intention. Working with film demands attention and physical presence. The image is not immediate; it arrives later, like memory. In this way, photography becomes a consequence of the encounter rather than its objective.
The body here is not treated as spectacle. Some of the boys chose to be nude, others did not. Both decisions carry equal meaning within the project. Nudity is not framed as exhibition, but as a possibility that may emerge from intimacy. It is never imposed, never required.
Across the months, subtle shifts become visible. A guarded posture softens. A gaze changes. In some cases, the same person is photographed over time, allowing the images to register evolving dynamics and attitudes. Masculinity, often rigid and hyper-performed in contemporary visual culture, appears here in a more fragile, suspended state.
La Isla reflects on how young male bodies are read, classified and consumed today. Against a culture of hypervisibility, Buiatti lingers on minimal gestures, transitional moments and quiet vulnerability. The work does not attempt to define or explain. Instead, it holds space for intimacy, desire, care and uncertainty to coexist.
Rather than constructing images about others, La Isla exists as a shared experience. The photograph becomes a sensitive record of that process, where looking is rooted in time and trust, and where the image feels less like a statement and more like something gently unfolding.
More about LA ISLA at Matu Buiatti’s website
Freibad
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