Gucci has released the first chapter of its summer campaign, shot in Monte Carlo and unfolding across swimming pools and open water. The cast includes Tian Xi Wei, Amelia Gray, Anok Yai, Elisabetta Dessy, Emma Koch, Kayako Higuchi, Felix Friedman, Ibrahima Kane, and Samuel Watson. The mood is movement without a fixed destination, plans hinted at rather than declared, the sense that the next hour could go anywhere.
The wardrobe follows the setting. For men, everyday separates and all-day denim. Accessories anchor the narrative: the Jackie, Venice, and Gossip bags, alongside the Mercato in white leather and the duffle and tote in GG monogram. The Madison and Melrose models, also in GG monogram, move from day to night as crossbody options.
Check out the campaign below:
The collection will be available at gucci.com, in Gucci boutiques worldwide, and at the house’s resort properties in Forte dei Marmi, Porto Cervo, Capri, Ibiza, Mykonos, Formentera, Saint-Tropez, and Cannes. Exclusive seasonal selections will further shape the Gucci summer across those locations.
The lineup features two pieces with hand-drawn illustrations by Houston-born, Brooklyn-based artist Jos Hurt, whose work moves between fantasy, memory, and personal mythology.
The collection proposes a wardrobe where freedom and construction are not in opposition but in conversation. Spring 27 is about lightness, in every sense of the word.
British conductor Oliver Zeffman, through Classical Pride, celebrates the contributions of LGBTQ+ artists to classical music while bringing a fresh, joyful energy to the genre.
To celebrate this milestone anniversary, Galleria Continua / Les Moulins presents a major collective exhibition bringing together more than fifty artists.
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Falconry is a study of stillness before impact, of minimal movement creating maximum outcome. The collaboration translates that into form, a line drawn at speed between the two houses.
For a series born out of friendship, stubbornness, and the conviction that stories can be told even when there is no money to tell them with, saying goodbye was never going to be easy.
For her first solo exhibition in Switzerland, and the most expansive European retrospective of her career to date, Cao Fei takes over the Kunstmuseum Basel with Testimonies to the Near Future spanning three decades of work.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
