French-Guadeloupean producer GR-MINAL has released his debut single “Korrupt,” a poignant reflection on a society entrenched in vice, where the soul’s corruption by money has become the norm, overshadowing the reign of love, which can be tortuous at times. The single is accompanied by a music video directed by Ismaïl Alaoui Fdili.
GR-MINAL, a self-proclaimed geek, has made music software his playground. Immersed in music since childhood, he blends classical and ragga dancehall influences. His musical upbringing was rich, with a pianist and violinist mother, and two musician uncles—one a reggae artist, the other a jazz musician. At home, Daddy Mory, Lord Kossity, and the dub sounds of Lee Scratch Perry were constantly playing, embedding music deep into his veins.
Drawing from Caribbean sounds, GR-MINAL presents a contemporary, hypnotic, and languorous post-club music that intensifies with each track. His music creates a space where the temperature rises, leading to physical phenomena that listeners can fully experience: “Initially, I called my music ‘watt’ because it’s pure energy. It’s a music that is meant to be lived live.” GR-MINAL’s frenetic ragga dancehall offers an entry point to celebrate life and humanity in a chaotic world. With a flow reminiscent of Doc Gynéco, his dub music is tinged with trip-hop influences. For GR-MINAL, it’s all about joy and sensuality.
NUMO is the kind of place that works equally well for a proper summer holiday or one of those late-season escapes where you can make summer last just a bit longer.
Presented during Berlin Art Week 2026 at The Foundry, The Overview Effect brings together an international group of artists and designers whose practices ask us to reconsider our relationship with the planet, with materials, with memory and, ultimately, with one another.
Tommy Hilfiger staged a personal New York celebration at The Plaza Hotel, presenting Spring 2027 in the legendary address where he once lived with his family.
The partnership continues to explore the universe of the London label founded by Sofia Prantera, which has built its identity by combining classical art references with counterculture and an irreverent attitude rooted in urban culture.
The shift comes with a new identity, a new headquarters, and a corporate reorganisation in which Águeda Amiano and María Fitz-James Stuart remain at the helm.
From skate culture and American suburbia to a new campaign for Bershka and Aries. Ed Templeton is taking over Barcelona with “Tomorrow Never Comes”, less a retrospective than an ongoing conversation between past and present. Free to visit from 10–20 September at Espai Metrònom.
Ann Demeulemeester unveiled its Fall/Winter 2026 campaign, shot by Nikolai von Bismarck, styled by Elodie David, and creatively directed by Stefano Gallici.
We sat with the talented Amsterdam-based designer to discuss the inspiration behind his latest collection, promoting tolerance through clothing, and why fashion still has such a problem with larger bodies.
Camiel Fortgens returned to Amsterdam Fashion Week with a Spring/Summer 2027 show set in an unexpected but familiar place: an Albert Heijn supermarket after closing hours.
Acne Paper Palais Royal has opened Rodeo, an exhibition of seventy-seven vintage photographs by Bruce of Los Angeles, curated by Vince Aletti and drawn from his private collection.
For Issue 28, TRANSPARENCY, we explore the shifting relationship between what is revealed and what remains concealed, questioning ideas of authenticity, identity, vulnerability, and self-expression in an increasingly exposed world.
