There’s something quietly magnetic about Toheeb Jimoh. We met the actor in Paris, just before the Hermès show, at the elegant Le Bristol Paris, alongside photographer Thomas Lizzi, a calm pause before the energy of fashion week unfolded. Best known for his roles in HBO’s “Industry” and Apple TV+’s “Ted Lasso”, Jimoh moves through conversation with the same ease and thoughtfulness he brings to the screen.
In this interview, he reflects on his journey into acting, the characters that have shaped him, and the moments that made him realise this was the path he wanted to follow. From growing up inspired by television and theatre to finding community, identity, and creative freedom through his work, he speaks with warmth and honesty, never overstated, always intentional.
We talk about Paris, fashion, heritage, and the subtle power of clothes in shaping character, as well as the importance of staying grounded while being part of a show so many people connect with. It’s a conversation about craft over noise, curiosity over certainty, and following the feeling wherever it leads.
Jimoh has also recently wrapped the feature film “Prima Facie”, a highly anticipated adaptation of Suzie Miller’s award-winning one-woman play. Tackling the subject of sexual assault within the legal system, the film was shot on location at the Old Bailey and Lincoln’s Inn, with Jimoh starring in a pivotal role opposite three-time Oscar nominee Cynthia Erivo.
When you come to Paris, what feels the most Parisian to you?
It’s hard to describe, but there’s something about Parisian fashion and aesthetics that feels incredibly chic. Even older women walking down the street look so well dressed, like they’re wearing pieces from high-fashion brands. Everyone seems to have this very sleek, effortless sense of style. Fashion feels deeply rooted in the city; it’s just part of everyday life here.
Are you very interested in fashion yourself, especially within acting or French culture?
Not deeply, to be honest. I’m not someone who grew up very immersed in fashion culture. French cinema, though, that’s something I really want to explore more. I’ve seen a few films, but I feel like I still have a lot to discover.
When did you first realize acting was something you wanted to do professionally?
That’s a good question. I don’t think there was one specific moment. I remember performing in a play in London, and that was the first time I thought, this is something I could really do. I grew up watching TV constantly, and I loved it as a kid. Shows like “The Fresh Prince of Bel-Air” really inspired me, seeing people have fun doing their job made me want to do the same. I also loved Shakespeare at school. Reading and performing it was genuinely fun for me, and it made acting feel very alive and real.
Was there a particular show or moment that really pushed you toward acting?
Watching “The Fresh Prince of Bel-Air” definitely played a role. I remember thinking, these people are having fun, this is a job. That idea stuck with me.
How does costume design work on a TV show like Industry?
There’s a lot of collaboration. The costume designer usually emails us first, and we start talking about the character, what they would wear, how they live. For one project set in central London, she went around observing what people actually wore: bankers, creatives, different types of workers. Then we’d discuss everything together, the director, the costume designer, and me until the clothes really felt right for the character. The first time you put on the full outfit, something clicks. It really helps you step into the character.
How does it feel to be part of a TV show that so many people love?
It’s amazing, honestly. I feel very grateful to be part of a project made by such wonderful people. But I try not to think too much about how popular the show is, which can throw you off. I focus on my job, the character, and staying present in the work.
Do you feel like the cast is a family?
Yes, absolutely. It really does feel like that. I enjoy being part of the team and going back to that environment.
Is your character similar to you in real life?
Not entirely. My character isn’t obsessed with money or status; he just wants to enjoy himself, have fun, get drunk, and live in the moment. That part, I relate to.
How do you relax when you’re not working?
I read a bit more now. I used to go out a lot, but these days I enjoy staying in, watching a good TV show, playing chess, and just chilling.
Has being in Paris changed your relationship with fashion?
Definitely. I’ve become much more interested in fashion over time. Acting is still my main job, but fashion feels like a natural extension of it. It connects with music, art, and creativity. Fashion has become one of the paths acting has led me down, and I’m enjoying exploring it more and more, especially during fashion week. There’s something special about French fashion houses, the craftsmanship, the savoir-faire. It’s incredible.
Do you have an emotional connection to clothing from your past?
Yes. Growing up in Nigeria, traditional clothing played a huge role. For weddings or celebrations, everyone would wear the same fabric but style it differently. I remember wearing certain outfits and feeling proud, confident, that was probably the first time I realized how powerful clothing could be.
How did your family react when you told them you wanted to be an actor?
They were very supportive, even though they were confused at first. They expected me to become a lawyer or a politician. Drama school wasn’t part of the plan they imagined for me. But I was determined, and they saw how passionate I was. They knew it was a tough industry, but they gave me their blessing and supported me however they could.
Did you know any actors growing up?
No, not at all. No one in my family or friend group was an actor. When I started auditioning for drama schools, I began meeting other Black African and Caribbean actors, and we naturally built a community together. Now I have many friends in the industry from similar backgrounds, which is really special.
Do you feel a responsibility when portraying Nigerian characters?
Yes, very much so. I feel honored whenever I get to play Nigerian characters. It’s meaningful to share that heritage with a wider audience and to see more Nigerian stories represented. I’d love to work on more Nigerian projects in the future.
How do you choose your projects now?
At the beginning, you take whatever work you can get. Later on, you have more choices, which can actually be harder. I usually look for a strong script, an interesting character, a good director, and a great cast. Those things really matter to me.
Are there actors you’d love to work with?
So many. Viola Davis, obviously. Andrew Scott, I think he’s incredible. There are lots of people I admire.
If you could only bring one fashion item with you, what would it be?
Probably an accessory. I love bags. A really good bag can carry everything and complete an outfit. I always end up bringing back bags or small accessories; they feel personal and useful at the same time.
You’re on your way to see the latest menswear collection by Véronique Nichanian at Hermès, just before Grace Wales Bonner steps in as the new menswear creative director in 2027. How excited are you about this upcoming chapter for the brand?
I’m really excited to see what’s next for Hermès. It feels like a very exciting evolution, bringing together the house’s incredible craftsmanship and heritage with Grace Wales Bonner’s unique vision, cultural sensitivity, and modern approach to fashion. It feels like the start of a new chapter that still deeply respects everything Hermès stands for.
