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“June: A Painting Show” at Sadie Coles HQ, London

by mousse

July 24~2015

The display traces various modes of representation that have come to define figurative painting in recent decades, or to move the medium altogether beyond categories such as “figurative” and “abstract”. Bringing together artists of diverse generations and genres, the exhibition centres on the body as a contradictory object—graceful and abject, mundane and mutable.

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Guy Yanai “Ancienne Rive” at Ameringer | McEnery | Yohe, New York

by mousse

July 23~2015

Guy Yanai’s fragmented stripes are paralleled by thick, vivid colors and banal subjects. “Ancienne Rive”, meaning ancient river, calls upon ideas of history, authenticity, and
something with deep roots, which contradicts the artist’s self-proclaimed feelings of loneliness, foreign alienation and the notion of being both nowhere and everywhere.

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Vdrome presents The Basement by Erik van Lieshout

by mousse

July 23~2015

In 2014, Erik van Lieshout set up a workshop in the basement of the Hermitage Museum to improve the living areas of the large community of cats that has been living in the museum for more than 200 years. The Basement documents this process while following the artist’s unique and idiosyncratic rhythm and methods.

Watch the entire film on vdrome.org

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Raphaela Vogel “Raphaela und der große Kunstverein” at Bonner Kunstverein

by mousse

July 23~2015


Raphaela Vogel (*1988 in Nuremberg, lives and works in Amsterdam) finished her studies at the Städelschule in Frankfurt a. M. in 2014. The invitation by the Kunstverein constitutes her first major solo exhibition. Her work is located in the meeting of sculpture, video installation and performance and is characterized by an acute study of the relationship of the body to space, closely linked with her utilization of digital technologies (often including, for example: projectors, scanners, action cameras, and drones).

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“I am attracted none the less…” at Casey Kaplan Gallery, New York

by mousse

July 22~2015

Casey Kaplan is pleased to announce the first summer group exhibition in the new gallery on 27th street. The title “I am attracted none the less…” introduces the unexplainable phenomena that lies at the heart of the exhibition—the notion that there is a visceral, transcendental connection that is experienced with certain images and objects. Possibly, a reason why many of us find ourselves so attracted to art.

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Larry Johnson “On Location” at Raven Row, London

by mousse

July 22~2015

Larry Johnson’s first institutional exhibition in Europe, On Location brings together a selection of works by the artist (born 1959 in Lakewood, California) from the early 1990s to the present.

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“To rectify a situation” and “monCHERI Po-Up @ Valentin“ at Valentin Gallery, Paris

by mousse

July 22~2015

“To rectify a situation”

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Momentum – 8th Nordic Biennial of Contemporary Art: “Tunnel Vision” at Momentum Kunsthall and Galleri F 15, Moss

by mousse

July 21~2015

Momentum Kunsthall

Momentum 8 explores tunnel vision as a cultural and artistic condition. Today’s networked culture not only generates hyper-connectivity, but it also produces a range of disconnects that allow people and communities to thrive in their own bubbles. Momentum 8 focuses on artists and cultural producers who inhabit worlds of their own logic and take their ideas to the ultimate consequence.

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“The Crack-Up” and Ebecho Muslimova at Room East, New York

by mousse

July 21~2015

“The Crack-Up”

Robin Cameron, Joseph Cornell, Laeh Glenn, Dario Guccio, David Korty, Dana Lok, George Henry Longly, Benoît Maire, Julia Wachtel, B. Wurtz

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“All Watched Over” at James Cohan Gallery, New York

by mousse

July 20~2015

Doug Ashford, Shannon Ebner, Iman Issa, Josh Kline, KRIWET, Paul Laffoley, Margaret Lee, Nonggirrnga Marawili, Lee Mullican, Brenna Murphy, Michael Portnoy, Michael Riedel, Gabriel Sierra, and Roman Štětina

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“Collecting Lines – Drawings from the Ringier Collection” Chapter I at Villa Flora, Winterthur

by mousse

July 19~2015

Joe Bradley, Dr. Lakra, Sherrie Levine, Uri Aran, Keith Tyson, Sean Landers, Heimo Zobernig, General Idea, Urs Fischer, Sarah Lucas, Isa Genzken, Albert Oehlen, Verne Dawson, Philippe Parreno & Pierre Huyghe, Paul Thek, Ed Ruscha, Robert Overby, Valentin Carron, Karen Kilimnik, Louise Lawler, Raymond Pettibon, Manfred Pernice, Cameron Jamie, Rodney Graham, Peter Land, Richard Artschwager, Christopher Wool, Kai Althoff

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Ian Kiaer “Limp Oak” at Lulu, Mexico City

by mousse

July 18~2015

Incorporating the language of painting, sculpture, found-objects, and installation, Kiaer creates propositions which invite the viewer into the image and space of the work. He often draws upon and combines the reflections of specific, historical thinkers and idiosyncratic visionaries with fragile detrital materials to explore issues of scale, space and resistance through strategies of deflation, such as horizontality (supineness), incapacity and illness.

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Kate Newby “I memorized it I loved it so much” at Laurel Gitlen, New York

by mousse

July 17~2015

Working with a variety of media including installation, textile, ceramics, casting and glass, Newby is a sculptor who is committed to exploring and putting pressure on the limits and nature of sculpture. As such, she is interested in not only space, volume, texture and materials, but where and how sculpture happens.

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Philippe Parreno “H {N)Y P N(Y} OSIS” at Park Avenue Armory, New York

by mousse

July 16~2015

For his largest presentation in the U.S. to date, Philippe Parreno orchestrates a scripted series of events within the monumental interior of Park Avenue Armory’s Wade Thompson Drill Hall—transforming the traditional exhibition experience through an interplay of the artist’s films, sculptures, and the spectral presence of sound and light.

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Michelangelo Consani “Le cose potrebbero cambiare” at Prometeogallery, Milan

by mousse

July 15~2015

The exhibition is based on the interlace of recent research by the artist who, starting with the recontextualization of existing works, presents a series of new productions that embody the themes of degrowth and of nuclear power in a dialogue comprised of repeated references to the collective imagination and to the many counter-narrations contradicting it.

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Erika Landström, Dana Munro and Anna Zacharoff “Nein ist für lange Weile” at Vilma Gold, London

by mousse

July 14~2015

Like heavy bricks in a wall covering the view of my early summer days, so are the words that I type. I’m chained to this grind mill until I have mauered myself into freedom again. I will lose friends in the process, lovers too. All desire is gone, not even the sight of a mole on an ear lobe will stir the mouse in me.

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Lucy Dodd “Part Time Nuns” at Mendes Wood DM, Sao Paulo

by mousse

July 13~2015

Morning has broken like the first morning
Blackbird has spoken like the first bird
Praise for the singing, praise for the morning
Praise for the springing fresh from the world

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Latifa Echakhch “there’s tears” and Eva Rothschild “Middle Temple” at kaufmann repetto, Milan

by mousse

July 12~2015

Latifa Echakhch “there’s tears”


In Latifa Echakhch’s work, ink appears in diverse forms: solidified in hats that seem discarded, absorbed into large raw canvases, dripped onto the windows of a museum.
Ink’s capability to channel a message is replaced by a different kind of expressiveness, non-verbal but still poignant.

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